Scott Allie
Turns out he was just the miserable scumbag I always thought he was.
https://twitter.com/ShawnaGore/status/1275921105773969410
ETA: But on the bright side, Darkhorse fired him, decades too late, but they fired him!
https://twitter.com/ShawnaGore/status/1275921105773969410
ETA: But on the bright side, Darkhorse fired him, decades too late, but they fired him!
no subject
I've mixed feelings. Diana Galabadon's best-selling Outlander series features rape as a major plot device. She uses it in every single novel, and every single lead character is raped at a certain point, in increasingly graphic and brutal manner. The series, show-runned by Ron Moore, is graphically depicting the rapes. I stopped reading and watching after the first book - because I don't have the stomach for sexual violence. (I know she does this and Moore did it in the show via reviews from those who read and watched. On reviewer noted that Galabadon has a thing about rape, once or twice makes sense, but every single lead character in the series gets raped to further plot and character? Really?)
And..there is a video game that was making the rounds in Asia during the early 00s where you could play the rapist. It was illegal in the US. I found out about it via an article in a metro newspaper. And was horrified.
And...I remember having a rather disturbing discussion with two video store clerks about the film Irreversible - which features a graphic and rather long rape sequence in a tunnel - so bad that people walked out on it. (I didn't see the film, they did.) And one of the two men, a young guy in his late teens early twenties had been turned on by that gang rape in the tunnel. I remember the hairs on the back of my neck standing up and how I backed up slowly, the other guy saw my reaction and tried to shift the conversation. Most likely worried he'd just lost a customer.
OTOH..sometimes the book is cathartic or a means of lessening the impact of the rape. Finding a way to handle it emotionally.
I don't know. I did examine it in some depth in that essay, if you are interested.
no subject
I meant the romantizition of unrequitted love. Lovesick guy lusting after often younger and inexperienced woman. In fiction he is often quite disempowered by his love (see Spike). Old predatory men often playact this disempowerment to flatter the younger woman or to guilt her into sex (as Allie apparently did with the woman he harrased), but in reality they are just acting on their whims and disregarding the other person and their agency completely.
no subject
I mean it is complicated. Love is, romance is.
We feel pain and we express it through our art. I don't think you can blame fiction for what happens outside of it. Also, I think it is a kind of chicken before the egg argument? Emotion gives birth to fiction. Often in fiction we express our darkest desires, dreams, pain, and uncertainty.
It's not that simple.
Also there's a huge difference between Spike and Warren Mears...one who struggles with unrequited love, the other who sees women as objects to satisfy him.
Anyhow, I said most of this in that essay. I'll leave it at that.
no subject
But anyway I did not want to say that I don't understand the plot of desperate love. It is immensely attractive and as you know I am a huge Spuffy fan. It's just that I found the idea is less harmless than I thought. I thought people could distinguish between fantasy and reality and usually in reality if you really do not want a relationship with someone, you mean it and it is not strange supernatural obstacles and past murder attempts that keep you appart despite your attraction but actual "do not want".
And I have seen a lot of Warren Mears men, playact the Spike to get there, even though they have a complete and utter disregard for the object of their "affections".